s and eggs) and emphasize their rhythm.

Most of my texture is created using heavy acrylics in an underpainting. That is, my first step is to apply acrylic paints to the stretched canvas (usually red paint, applied thickly), and let that dry before starting the first layer of oil paints. The textured swirls are made using a variety of tools; my favorites being a painting knife and a hair comb. (You can see a video demo of the texture process here.)

The texture sometimes aligns with the subject of the painting, and sometimes goes against the natural lines of what’s represented in the painting. That’s on purpose. It mirrors the complexity of our lives.

Thanks for your interest!

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